Mongol (2008)
My Rating : ****
Award-winning Russian filmmaker Sergei Bodrov (Prisoner of the Mountains) illuminates the life and legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading scholarly accounts and written by Bodrov and Arif Aliyev, Mongol delves into the dramatic and harrowing early years of the ruler who was born as Temudgin in 1162. As it follows Temudgin from his perilous childhood to the battle that sealed his destiny, the film paints a multidimensional portrait of the future conqueror, revealing him not as the evil brute of hoary stereotype, but as an inspiring, fearless and visionary leader. Mongol shows us the making of an extraordinary man, and the foundation on which so much of his greatness rested: his relationship with his wife, Borte, his lifelong love and most trusted advisor.
Filmed in the very lands that gave birth to Genghis Khan, Mongol transports us back to a distant and exotic period in world history; to a nomad’s landscape of endless space, climatic extremes and ever-present danger. In a performance of powerful stillness and subtlety, celebrated young Japanese actor Asano Tadanobu (Zatoichi, Last Life in the Universe) captures the inner fire that enabled a hunted boy to become a legendary conqueror. Asano’s achievement is matched by those of his co-stars, including the radiant newcomer Khulan Chuluun as Temudgin’s courageous, spirited wife Borte, and the Chinese actor Honglei Sun (The Road Home) as the Mongol chieftain Jamukha, Temudgin’s dearest friend and deadliest enemy. Masterfully blending action and emotion against some of the most arresting terrain on earth, Bodrov delivers an exciting and awe-inspiring tale of survival and triumph, and a love story for the ages.
Felon (2008)
My Rating : ***.5
A loving husband and father finds his promising future transformed into a waking nightmare when he’s convicted of involuntary manslaughter after accidentally killing the burglar who broke into his home in this gritty prison drama starring Stephen Dorff and Val Kilmer.
Wade Porter (Dorff) would have done anything to protect his family, and when they were threatened he did what any caring family man would have done. But somehow everything went wrong, and now Wade has been sentenced to spend three years in a maximum-security prison. It’s a place where the rules of society have been all but forgotten, and in addition to sharing a cell with a notorious mass murderer (Kilmer), Wade somehow incurs the wrath of the sadistic head prison guard (Harold Perrineau). Now, in order to survive the series of vicious beatings orchestrated for the amusement of the guards, Wade realizes that in order to survive the block and get back to his family he will have to become the toughest felon of them all. But even if Wade does manage to live through this harrowing ordeal, what will be left of that loving family man once he’s finally released back into civilized society?
Death Race (2008)
My Rating : ****
The Roger Corman-produced cult favorite DEATH RACE 2000 (1975) gets an update in this reworking from action director Paul W.S. Anderson (RESIDENT EVIL). In a role sure to please fans of his work in CRANK (2006) and the TRANSPORTER films, Jason Statham is Frankenstein, the fierce driver portrayed by David Carradine in the original. The script, also by Anderson, largely does away with the original’s satirical elements in favor an increased number of breathtaking crashes and stunt driving.
In 2012, the American economy has collapsed, and prisons have been taken over by corporations. Overseen by Warden Hennessey (Joan Allen), Terminal Island prison generates immense amounts of revenue with pay-per-view broadcasts of “Death Race,” in which inmates participate in an auto race where anything goes. New inmate Jensen Ames (Statham), who has been framed for the death of his wife, is chosen to take over the role of Frankenstein, the contest’s recently deceased masked star driver. His chief competitor, Machine Gun Joe (Tyrese Gibson), unaware that a new man is behind the mask of his old rival, will stop at nothing to win. With Case, a sexy navigator from the nearby women’s facility, and a trusty pit crew led by wise veteran Coach (Ian McShane), Ames has a good shot at winning. If he does, he’s been promised his freedom—but the race holds more obstacles than he can imagine, and ratings are more important to Hennessey than being true to her word. Loud, gory, and lightning fast, DEATH RACE is geared to the video game generation, right down to the graphics that appear onscreen during the race’s TV broadcast. Once again, Statham creates a great hero to root for in a performance that rises above the copious stunts and visual effects. Allen, in uncharacteristic role, is suitably imposing as the steely warden.
The Love Guru (2008)
My Rating : **.5
Austin Powers trilogy star Mike Myers collaborates with writer Graham Gordy for this comedy concerning a self-help guru named Pitka (Myers), who devotes his life to unknotting the romantic entanglements of troubled couples. As a young child, Pitka is abandoned at the gates of an ashram in India and taken in by kindly gurus. An American by birth, Pitka absorbs the lessons taught to him by his teachers and later returns to the United States to become a leading authority on spirituality and self-help.
While Pitka’s methods are decidedly unorthodox, they may be the only means of ensuring that the Toronto Maple Leafs win the coveted Stanley Cup. The Maple Leaf’s star Darren Roanoke (Romany Malco) is in trouble. His estranged wife has recently begun dating L.A. Kings star Jacques Grande (Justin Timberlake) in a vengeful effort to send her husband’s career into a tailspin, and when Roanoke starts to falter on the ice, the whole team starts to suffer. As their visions of leading the Toronto Maple Leafs to the Stanley Cup are quickly going up in flames, team owner Jane Bullard (Jessica Alba) and Coach Cherkov (Verne Troyer) enlist the aid of the world’s best-known relationship expert in restoring the peace between Roanoke and his wife, and getting their team back on the track to the championships.
What Happens in Vegas (2008)
My Rating : ****
Cameron Diaz and Ashton Kutcher star as strangers who wake up a married couple after a crazy night in Las Vegas in director Tom Vaughn’s (STARTER FOR 10) feature film. Joy (Diaz) is the type of woman who makes plans to make plans. She’s expecting a marriage proposal, but her live-in boyfriend, Mason (Jason Sudeikis), has other ideas. When he dumps her, Joy heads to Vegas to forget her troubles with her friend Tipper (Lake Bell) and discovers her fun, spontaneous side. Unfortunately, she also wakes up with recently unemployed Jack (Kutcher) as her husband.
The two quickly decide to divorce, but the plot thickens when Jack wins a $3 million slot jackpot using Joy’s quarter. Since neither one of them wants to give up the cash, they each try to drive the other to file for divorce and give up the bounty. But love has a funny way of appearing when you least expect it, and in acting their worst, Joy and Jack actually bring out the best in each other. Diaz and Kutcher have nice onscreen chemistry and make a very photogenic couple. Treat Williams stars as Jack’s difficult-to-please father, while Rob Corddry is Jack’s best friend, Hater. Queen Latifah and Dennis Miller appear briefly as a marriage counselor and divorce court judge, respectively. The Vegas scenes are flashy and fun–just like Sin City–and the settings for the New York City scenes differentiate nicely between Joy’s organized, structured life and Jack’s less serious, happy-go-lucky attitude.
Dark Knight (2008)
My Rating : *****
To say that Christopher Nolan’s THE DARK KNIGHT is the best comic book adaptation does the film a bit of a disservice. It may be a Batman film, but this isn’t a kid-friendly action movie full of the bams and pows of the original series. This is a pitch-black thriller with enough drama and tragedy to please even William Shakespeare, but it will certainly keep both comics fans and uninitiated audiences equally happy.
THE DARK KNIGHT starts in the wake of BATMAN BEGINS: with the appearance of Batman (Christian Bale), Gotham City’s criminal underworld is unnerved. They’re also plagued by the new D.A., Harvey Dent (Aaron Eckhart), who, in his quest for justice, remains above the city’s corruption. Enter a new villain, the Joker (Heath Ledger), who wants to unite the criminals for a common purpose: to kill Batman. THE DARK KNIGHT is one of the most hyped movies to date, and a lesser film would be crushed under the weight of all that expectation. Some of the publicity stems from the early death of Ledger, who turns in an excellent performance. He provides moments of humor, but this Joker is terrifying, sharing more with classic villains such as Hannibal Lechter than with his comic book predecessors. Eckhart is equally good as Dent, and Maggie Gyllenhaal deserves praise for taking over the role of Rachel Dawes from Katie Holmes. Though there’s more emphasis on plot and character development than in most comic book adaptations, that doesn’t mean Nolan has skimped on any of the action sequences. Each set piece is done perfectly, leaving the audience breathless. THE DARK KNIGHT is filmmaking at its best; its subject matter may be dark and depressing, but it’s tough not to feel exhilarated by its artistry when the credits begin to roll.
Hellboy 2 (2008)
My Rating : ***.5
HELLBOY II: THE GOLDEN ARMY begs any number of referential mash-ups to be used as description of its outlandish tonal and stylistic qualities. It’s a little like a romantic and sophisticated live-action Ninja Turtles movie imbued with a cracked version of H.P. Lovecraft’s monster storytelling. It’s a feature-length version of STAR WARS’s Mos Eisley Cantina mixed with a scrappy, proficient passion for creature design reminiscent of Ray Harryhausen. It’s also kind of director/co-writer Guillermo del Toro’s HELLBOY (2004) wrapped in a blanket of his PAN’S LABYRINTH.
This sequel is all these things, but none of them can accurately capture the singularity of a movie which, in some ways, stands alone in its ability to capture the crass and literary luridness of reading a comic book. It’s filled with gross creatures bursting with humanity, dark poetry, and slapstick comedy; in one scene, an argument between Hellboy and Johann Krauss, a formless gas contained in a mobilized suit, escalates to the point of Tom-&-Jerry-like violence. As Hellboy himself, a heartfelt anti-hero who regularly eliminates supernatural threat as an agent for the U.S. Bureau of Paranormal Research and Defense alongside girlfriend Liz (Selma Blair) and comrade Abe Sapien, Ron Perlman again embodies the role with the kind of pathos and humor that one can only expect from a horned, red-skinned Hell-spawn who loves kittens and acts like a hardboiled detective who happens to watch TV and drink a lot of canned beer. HELLBOY II’s rather interesting antagonist, Prince Nuada, isn’t just an evil dude. In the mold of the complex villains typically found in Hayao Miyazaki’s animated fairy tales, his intentions of restoring control over Earth to an Elvish race by regaining the key to unlock the indestructible Golden Army are at least based on a legitimately noble sentiment before megalomania kicks in.
Iron Man (2008)
My Rating : ***.5
For both comic book fans and those who can’t tell the Green Lantern from the Green Arrow, IRON MAN is the type of summer blockbuster whose appeal lasts far beyond the season. Robert Downey Jr. stars as Tony Stark, a billionaire playboy and genius who puts as much effort into chasing skirts as he puts into chasing his next big idea. A trip to Afghanistan to sell weapons quickly devolves into chaos, and Stark finds himself at the mercy of a warlord who wants him to build a missile. Instead, Stark creates a powerful suit of armor, turning him into Iron Man and allowing him to escape.
When he returns to America, his assistant Pepper Pots (Gwyneth Paltrow), friend Rhodey (Terrence Howard), and right-hand man Obadiah Stane (Jeff Bridges) all marvel at the change in the man they knew. IRON MAN is the first film to be self-financed by Marvel Studios, and they should be proud of their freshman effort. They didn’t take any obvious routes with choosing the cast or crew, and it pays off. Director Jon Favreau, who also has a small role in the film, is best known for directing ELF, but his first action-driven effort is nearly flawless. Casting Downey was gutsy but inspired: this is his first big action picture as well, but the wit he displays in films such as the cult hit KISS KISS, BANG BANG works perfectly for the character of Stark. IRON MAN features nods to its beloved source material, as well as to the classic animated series of the 1960s. But even for the uninitiated, this film provides an interesting entry into the Marvel superhero’s universe. Audiences who keep watching after the credits have rolled will be rewarded with a bonus scene.
The Incredible Hulk (2008)
My Rating : ***
The explosive, action-packed adventure in one of the all-time most popular superhero sagas unfolds with a cure in reach for the world’s most primal force of fury: THE INCREDIBLE HULK. We find scientist Bruce Banner (Edward Norton) living in shadows, scouring the planet for an antidote.
But the warmongers who dream of abusing his powers won’t leave him alone, nor will his need to be with the only woman he has ever loved, Betty Ross (Liv Tyler). Upon returning to civilization, our brilliant doctor is ruthlessly pursued by The Abomination (Tim Roth)–a nightmarish beast of pure adrenaline and aggression whose powers match The Hulk’s own. A fight of comic-book proportions ensues as Banner must call upon the hero within to rescue New York City from total destruction. And on June 13, 2008…one scientist must make an agonizing final choice–accept a peaceful life as Bruce Banner or the creature he could permanently become: THE INCREDIBLE HULK.
Kung Fu Panda (2008)
My Rating : ****
“Kung Fu Panda” features Jack Black as Po the Panda, a lowly waiter in a noodle restaurant, who is a kung fu fanatic but whose shape doesn’t exactly lend itself to kung fu fighting.
In fact, Po’s defining characteristic appears to be that he is the laziest of all the animals in ancient China. That’s a problem because powerful enemies are at the gates, and all hopes have been pinned on a prophesy naming Po as the “Chosen One” to save the day. A group of martial arts masters are going to need a black belt in patience if they are going to turn this slacker panda into a kung fu fighter before it’s too late.
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